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Curves to the Apple : The Reproduction of Profiles, Lawn of Excluded Middle, Reluctant Gravities by Rosmarie Waldrop (2006, Perfect)
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Curves to the Apple : The Reproduction of Profiles, Lawn of Excluded Middle, Reluctant Gravities, Paperback by Waldrop, Rosmarie, ISBN 081121673X, ISBN-13 9780811216739, Brand New, Free shipping in the US Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last.
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About this product
Product Identifiers
PublisherNew Directions Publishing Corporation
ISBN-10081121673X
ISBN-139780811216739
eBay Product ID (ePID)24038827135
Product Key Features
Book TitleCurves to the Apple : the Reproduction of Profiles, Lawn of Excluded Middle, Reluctant Gravities
Number of Pages272 Pages
LanguageEnglish
Publication Year2006
TopicWomen Authors, European / General, General
GenrePoetry
AuthorRosmarie Waldrop
FormatPerfect
Dimensions
Item Height0.1 in
Item Weight8.8 Oz
Item Length0.9 in
Item Width0.6 in
Additional Product Features
Intended AudienceTrade
LCCN2006-019328
Dewey Edition22
Dewey Decimal811.54
SynopsisThree pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last., Rosmarie Waldrop's Curves to the Apple brings together three highly praised and influential titles: The Reproduction of Profiles, Lawn of Excluded Middle , and Reluctant Gravities . Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance.", Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last. Rosmarie Waldrop's Curves to the Apple brings together three highly praised and influential titles: The Reproduction of Profiles, Lawn of Excluded Middle , and Reluctant Gravities . Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance.", Three pivotal works conceived by the avant-garde poet as a trilogy and now together in one volume at last. Rosmarie Waldrop's "Curves to the Apple" brings together three highly praised and influential titles: "The Reproduction of Profiles, Lawn of Excluded Middle," and "Reluctant Gravities," Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feeling--or of thought manifested as feeling. The author comments: "Just as the title "Curves to the Apple" combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."
LC Classification NumberPS3573.A4234C87 2006
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