Screen Stories : Emotion and the Ethics of Engagement by Carl Plantinga (2018, Trade Paperback)

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Do we listen to each other?. Do we speak about each other with respect or disdain?.

About this product

Product Identifiers

PublisherOxford University Press, Incorporated
ISBN-100190867140
ISBN-139780190867140
eBay Product ID (ePID)242648922

Product Key Features

Number of Pages312 Pages
LanguageEnglish
Publication NameScreen Stories : Emotion and the Ethics of Engagement
Publication Year2018
SubjectFilm / General, Media Studies, Business Ethics, General, Film / History & Criticism
TypeTextbook
AuthorCarl Plantinga
Subject AreaLiterary Criticism, Performing Arts, Social Science, Business & Economics
FormatTrade Paperback

Dimensions

Item Height0.8 in
Item Weight19.2 Oz
Item Length9.2 in
Item Width6.1 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN2017-044623
Dewey Edition23
IllustratedYes
Dewey Decimal791.43/653
Table Of ContentIntroduction The Evolution of a Perspective Structure of the Book Part One: The Power of Screen Stories1. The Power of Screen Stories 2. The Rhetoric of Screen Stories 3. Transfer and Cultivation 4. Caveats and Complications Part Two: Ethics and Engagement5. Engagement and Estrangement 6. Immersion and Emotion 7. Moralities and Characters as Moral Agents 8. The Personal and the Political 9. Mood and Ethics Part 3: The Countors of Engagement10. Ethics and Character Engagement 11. Narrative Structure: Closure and Frame Shifters 12. Narrative Paradigm Scenarios: Revenge and the Other 13. Conclusion Bibliography
SynopsisAs stories on screens claim a more pervasive and influential presence in contemporary culture, Screen Stories argues for a restructuring of film and media studies' approach to ethics., The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us., The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls "screen stories," are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume - from television shows and movies to advertisements - can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us., The stories that we convey on screens are a powerful and pervasive means by which we communicate with each other. As author Carl Plantinga argues, film and media studies needs to move toward an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. This book shows that by better understanding the rhetorical and cultural power of storytelling on screens, citizens can better respond ethically to media. Book jacket., The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories, ' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens. Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume--from television shows and movies to advertisements--can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.
LC Classification NumberPN1995.5.P52 2018

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