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About this product
Product Identifiers
PublisherEdinburgh Tea & Coffee Company University Press
ISBN-101399519212
ISBN-139781399519212
eBay Product ID (ePID)27070934218
Product Key Features
Number of Pages312 Pages
LanguageEnglish
Publication NameHumour of Vladimir Nabokov : Mind and Matter
SubjectAmerican / General, European / Eastern (See Also Russian & Former Soviet Union), Humor
Publication Year2024
TypeTextbook
AuthorPaul Benedict Grant
Subject AreaLiterary Criticism
FormatHardcover
Dimensions
Item Length9.2 in
Item Width6.1 in
Additional Product Features
Intended AudienceScholarly & Professional
Dewey Edition23
TitleLeadingThe
ReviewsPaul Grant has thought longer and harder about Nabokov's humour than anyone, and longer and harder about humour theory than any Nabokovian. Just as Nabokov appeals to the senses, the emotions, the thinking mind, and the imagination, so, Grant shows, Nabokov's humour appeals across the range of human experience from physical slapstick to metaphysical pratfalls., Writing seriously about humour is a dangerous affair and taking on Nabokov's humour multiplies the risks. Paul Grant negotiates such difficulties, and much else, with patient and intelligent care. His book is a major study of laughter and enlarges our understanding of Nabokov's work in a great many ways.
Dewey Decimal813.54
Table Of ContentAcknowledgmentsTerminology, Spelling, Transliteration, AbbreviationsIntroduction1. Life and Art2. Highs and Lows3. Belly and Brain, Mind and Matter4. Comedies of the Flesh5. Tyrants Annoyed6. Last LaughsBibliographyIndex
SynopsisThe first in-depth study of Vladimir Nabokov's humour, investigating its physical aspects such as farce, slapstick, sexual and scatological humour, Many critics classify Vladimir Nabokov as a highbrow humourist, a refined wordsmith overly fond of playful puzzles and private in-jokes whose art appeals primarily to an intellectually-sophisticated readership. This study presents a more balanced portrait, placing equal emphasis on the broader, earthier humour that is such a marked feature of Nabokov's writing, which draws on the human body and all things physical for its laughs: sex and scatology, farce and slapstick. Moving between the metaphysical and the physical, the cosmic and the comic, mind and matter, it presents Nabokov as a writer at home in both high and low forms of humour, a comedian who is capable of producing as many belly laughs as brainteasers, and of appealing to a much wider readership than is commonly supposed.