SynopsisIn Doktor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyzes the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche, and neo-Marxism. He concludes with an account of the novel's generally hostile reception in defeated Germany. The book also includes a chronological table and a guide to further reading., In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany., In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism.
LC Classification NumberPT2625.A44 D6889 199