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About this product
Product Identifiers
PublisherBloomsbury Academic & Professional
ISBN-100826415687
ISBN-139780826415684
eBay Product ID (ePID)30204217
Product Key Features
Number of Pages248 Pages
LanguageEnglish
Publication NameScreenwriting : the Sequence Approach
Publication Year2004
SubjectFilm / Screenwriting, Popular Culture
TypeTextbook
Subject AreaPerforming Arts, Social Science
AuthorPaul Joseph Gulino
FormatTrade Paperback
Dimensions
Item Height0.5 in
Item Weight10.3 Oz
Item Length8.5 in
Item Width5.5 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN2004-007969
Reviews"With a fresh take on the oft-mystifying subject of screenplay structure, Gulino breaks some new ground in what I like to call 'screenwriteology'….the analyses are detailed, clear and insightful….In conclusion, if you're slaving for answers about structure, there's plenty to digest in The Sequence Approach. Bring you appetite, and Chef Gulino will make sure you don't go home with a hungry mind." -Dave Trueman, Script, December 2004, "With a fresh take on the oft-mystifying subject of screenplay structure, Gulino breaks some new ground in what I like to call 'screenwriteology' .the analyses are detailed, clear and insightful .In conclusion, if you're slaving for answers about structure, there's plenty to digest in The Sequence Approach. Bring you appetite, and Chef Gulino will make sure you don't go home with a hungry mind." --Dave Trueman, Script, December 2004
IllustratedYes
Dewey Decimal808.2
SynopsisThe great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring>, The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
Paul is a fine writer and his ideas about sequences in screenwriting (and in movies) are worth deep assimilation by any aspiring writer (or director, for that matter).