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About this product
Product Identifiers
PublisherPhaidon Press, Incorporated
ISBN-100714843911
ISBN-139780714843919
eBay Product ID (ePID)30221352
Product Key Features
Book TitleBoring Postcards USA
Number of Pages176 Pages
LanguageEnglish
TopicGeneral
Publication Year2004
GenrePhotography
AuthorMartin Parr
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight14.7 Oz
Item Length5.9 in
Item Width8.3 in
Additional Product Features
Intended AudienceTrade
Dewey Edition21
Reviews"Such American hot spots... may have been boring then - or, stranger yet, they may not have been - but they're so cheesy now they're delicious."--The Wall Street Journal "A wry collection of American gems."--Metropolitan Home "Boring Postcards USAreads as a technicolor-toned paean to the optimism of postwar America."--Interiors "A magnificent compendium... has a hypnotic feel, and is a reminder that America isn't all the Grand Canyon, Yosemite and New York skyline."--Simon Hoggart, Guardian
Dewey Decimal741.6830973
SynopsisIn Boring Postcards Magnum photographer and postcard enthusiast Martin Parr brought together 160 of the dullest postcards of 1950s, 60s and 70s Britain to make a book that was, contrary to the conceit of its title, both fascinating and extremely funny. It was one of those ideas that seemed so obvious that no one could believe it hadn't been done before, and it caught the public imagination in a big way. In Britain Boring Postcards was discussed everywhere from daytime TV shows to art and design magazines, from local newspapers and radio stations (outraged that their town should be labelled 'boring') to Time magazine. Now Parr has turned his attention to the USA for a new book of Boring Postcards . Just as before, for a postcard to qualify as sufficiently 'boring', either its composition, its content, or the characters featured must be arguably boring or the photograph must be absent of anything that might conventionally be described as interesting. As the study of postcards becomes a field of academic interest, this book offers more than amusement: as a folk art recording of the non-places and non-events of post-war America, it reveals poignant insights into its social, cultural and architectural values.