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Lost Highway (VHS 1997) - David Lynch - very good tape - Bill Pullman - R - Picture 1 of 7

Lost Highway (VHS 1997) - David Lynch - very good tape - Bill Pullman - R - Picture 2 of 7

Lost Highway (VHS 1997) - David Lynch - very good tape - Bill Pullman - R - Picture 3 of 7

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Lost Highway (VHS 1997) - David Lynch - very good tape - Bill Pullman - R - Picture 5 of 7

Lost Highway (VHS, 1997)

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Price:

US $40.79

Approximately£30.44

+ $22.52 postage

Estimated delivery Tue, 14 Oct - Wed, 22 Oct

Returns:

30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.

Condition:

Very Good

The product is a VHS tape of the 1997 film "Lost Highway" directed by David Lynch. Starring Bill Pullman and Patricia Arquette, the thriller falls under the drama genre and carries an R rating. The tape is in NTSC signal standard format and was released by PolyGram Video. This former rental is a collectible piece for fans of David Lynch's distinctive cinematic style and the talented cast's performances.

About this product

Product Information

Director David Lynch ups the weird ante with this "psychological fugue." Fred Madison (Bill Pullman) is a jazz saxophonist who is married to the beautiful Renee (a brown-haired Patricia Arquette). After receiving menacing videotapes taken from inside their home, the couple begin to worry. Fred's fear is compounded when he meets a mysterious man (Robert Blake) at a flamboyant party. Fred wakes up to discover that Renee has been murdered, and Fred is convicted of the crime. Trouble is, he doesn't remember anything from that night. Sitting in a jail cell, he undergoes a miraculous transformation, waking up as Pete Dayton (Balthazar Getty), a young mechanic. When Pete meets a dangerous client's sexy girlfriend, Alice Wakefield (a blonde Arquette), a passionate affair blossoms that threatens to expose Pete.In typical Lynch fashion, he makes no effort whatsoever to explain his film or justify its bizarre occurrences, resulting in an enigmatic thriller that feels like the viewer has unknowingly walked into another person's dream. The screenplay adheres to many universal film noir conventions, but Lynch and co-screenwriter Barry Gifford's psychological angle gives them a freedom to do anything that they so desire (a concept they giddily embrace). For fans of surreal, visually arresting cinema, Lynch delivers once again.