Dewey Decimal791.43/0233/0924
Table Of ContentIntroductionSection 1: A foreword on the generic context1. The cartoon-making technique; 2. The cartoon before TexSection 2: The uniqueness of Tex Avery's testimony3. Tex Avery's Americanness: An attempt to retrieve the past 4. Facing contemporary politics; 5. Tex Avery's unique viewpoint on good, evil and moralitySection 3: On sex and gender6. Freudian pansexualism: Concepts of activity/passivity 7. Reduction of womanhood into twp types: The destructive power of women 8. Oedipal relationships and their consequencesSection 4: Tex Avery's unique comic strategies9. The burlesque heritage 10. Towards a pragmatic relation with the audience; 11. The provisional nature of the Averyan universeConclusion; Filmography; Bibliography
SynopsisFloriane Place-Verghnes examines the work of this great American animator. Focusing primarily on four facets of Avery's work, the author first concentrates on Avery's ability to depict the American attempt both to retrieve the past nostalgically and to catch the Zeitgeist of 1940s America, which confronts the questions of violence and survival. She also analyzes issues of sex and gender and the crucial role Hollywood played in reshaping the image of womanhood, reducing it to a bipolar opposition. Thirdly, she examines the comic language developed by Avery which, although drawing on the work of the Marx Brothers and Chaplin (among others), transcended their conventions. Finally, Place-Verghnes considers Avery's place in the history of cartoon-making technique.
LC Classification NumberNC1766.U52A9236 2006