Table Of ContentIntroduction - Jane Gilbert and Miranda GriffinThird Gender Solace - William BurgwinkleTroubadour Selves under Debate - Miriam Cabré'Je tiens ma personne morte': Subjectivity in Fifteenth-Century Courtly Poetry - Helen J. Swift'He wishes that everyone were leprous like him': Infectious Counternarratives in Ami et Amile - Charlie SamuelsonFeminism-plus: Sarah Kay's The 'Chansons de geste' in the Age of Romance: Political Fictions and the 'Roman de' Waldef' - Jocelyn Wogan-BrowneConnected literature: Chansons de geste , Burgundian livres de gestes , and the Writing of Literary Theory Today - Zrinka StahuljakFinding Contradiction in Guiraut Riquier - Susan BoyntonAt the Bleeding Edge of Courtly Love - Joseph R. JohnsonLogic, Meaning, and Imagination - Virginie GreenePlaces of Thought: Environment, Perception, and Textual Identity in Medieval Vernacular Manuscripts - Stephen G. NicholsThe Disembodied Tongue; or, The Place of the Book in the Livre de la Cité des dames - Christine BourgeoisThe Place of Pain: Confronting the Trauma and Complexity of Kingship in the Political Dream Narrative - Deborah McGradyQuoting Lyrics and Subjectivities in the Chastelaine de Vergy - Sophie MarnetteTroubadour Attachments - Emily Kate PriceForms of Repetition: Sestinas in the Twenty-First Century - Simone VenturaBetween Skin(s), Between Faiths: Caesura, Animality and Comedy in Thirteenth-Century Christian-Jewish Relations - James R. SimpsonRupturing Skin through the Power of Vox - Elizabeth Eva LeachSheep, Elephants, and Marco Polo's Devisement du monde - Sharon KinoshitaAfterword - Simon Gaunt and Peggy McCrackenGeneral BibliographyBibliography of work by Sarah Kay
SynopsisEssays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field., Essays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field. Sarah Kay is one of the most influential medievalists of the past fifty years, making vital, theoretically informed interventions on material from early medieval chansons de geste, through troubadour lyric, to late medieval philosophy and poetry, in French, Occitan, Latin, and Italian. This volume in her honour is organised around her six major monographs, published between 1990 and 2017. Its essays engage in critical, constructive dialogue with different aspects of Kay's work, and envisage how these might shape medieval French as a discipline in coming years or decades. The subject matters demonstrate the richness of the discipline: animal studies, musicology, temporality, the material turn, medieval textuality, feminism, queer theory, voice, medieval and modern intellectual formations, psychoanalysis, philology, visual arts, transversal criticism, the literary object, affect, rhetoric, body, the past, modern responses to medieval forms and tropes, non-Christian texts and thought-patterns, politics. Reiterating Kay's engagement with medieval literature's complex philosophical debates and analytical scrutiny of human knowledge and affect, they follow her in emphasising how the pleasure of reading medieval literature depends crucially on that literature's intellectual robustness. These essays shed new light on a range of canonical and less well-known medieval texts and artefacts, to present a fresh perspective on the field of medieval studies.