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Harmony and Voice Leading by Carl Schachter, Edward Aldwell and Allen Cadwallader (2010, Hardcover)
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The fourth edition now includes a chapter introducing species counterpoint and integrates that material into the rest of the text. A new premium web site for students will provide interactive, guided exercises for new material covered in each unit.
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About this product
Product Information
A clear and comprehensive volume spanning the entire theory course, HARMONY AND VOICE LEADING, Fourth Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. The fourth edition now includes a chapter introducing species counterpoint and integrates that material into the rest of the text. A new Premium Website for students will provide interactive, guided exercises for new material covered in each unit. The Instructor's Companion Site will include Guidelines for Instructors, a new instructor's manual written by the authors.Product Identifiers
PublisherWadsworth
ISBN-100495189758
ISBN-139780495189756
eBay Product ID (ePID)53566465
Product Key Features
Number of Pages736 Pages
Publication NameHarmony and Voice Leading
LanguageEnglish
SubjectInstruction & Study / Voice, General
Publication Year2010
TypeTextbook
AuthorAllen Cadwallader, Edward Aldwell, Carl Schachter
Subject AreaEducation, Music
FormatHardcover
Dimensions
Item Height1.3 in
Item Weight52.9 Oz
Item Length10 in
Item Width7.9 in
Additional Product Features
Edition Number4
LCCN2009-942240
Dewey Edition23
Target AudienceCollege Audience
IllustratedYes
Dewey Decimal781.25
Lc Classification NumberMt50.A444 2011
Table of ContentPart I: THE PRIMARY MATERIALS AND PROCEDURES. 1. Key, Scales, and Modes. 2. Intervals. 3. Rhythm and Meter. 4. Triads and Seventh Chords. 5. Introduction to Counterpoint. 6. Procedures of Four-Part Writing. Part II: I-V-I AND ITS ELABORATIONS. 7. I, V, and V7. 8. I6, V6, VII6. 9. Inversions of V7. 10. Leading to V: IV, II, and II6. 11. The Cadential 6/4. 12. VI and IV6. 13. Supertonic and Subdominant Seventh Chords. 14. Other Uses of IV, IV6, and VI. 15. V as a Key Area. 16. III and VII. Part III: 5/3, 6/3, AND 6/4 TECHNIQUES. 17. 5/3-Chord Techniques. 18. Diatonic Sequences. 19. 6/3-Chord Techniques. 20. 6/4-Chord Techniques. Part IV: ELEMENTS OF FIGURATION. 21. Melodic Figuration. 22. Rhythmic Figuration. Part V: DISSONANCE AND CHROMATICISM I. 23. Leading-Tone Seventh Chords. 24. Mixture. 25. Remaining Uses of Seventh Chords. 26. Applied V and VII. 27. Diatonic Modulation. Part VI: DISSONANCE AND CHROMATICISM II. 28. Seventh Chords with Added Dissonance. 29. The Phrygian II (Neapolitan). 30. Augmented Sixth Chords. 31. Other Chromatic Chords. 32. Chromatic Voice-Leading Techniques. 33. Chromaticism in Larger Contexts. Appendix I: Keyboard Progressions. Appendix II: Score Reduction. Appendix III: Explanatory Tables and Charts. Index of Musical Examples. Subject Index.
