Product Information
When the world comes to an end, Viennese writer Karl Kraus lamented in 1908, all the big city orchestras will still be playing The Merry Widow. Viennese operettas like Franz Lehar's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehar, Emmerich Kalman, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth???century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life-one whose transgressions helped define the musical hierarchies of its day.Product Identifiers
PublisherUniversity of California Press
ISBN-139780520379121
eBay Product ID (ePID)6049064570
Product Key Features
Number of Pages250 Pages
LanguageEnglish
Publication NameThe Operetta Empire: Music Theater in Early Twentieth-Century Vienna
Publication Year2021
SubjectHistory
TypeTextbook
AuthorMicaela Baranello
FormatHardcover
Dimensions
Item Height229 mm
Item Weight499 g
Additional Product Features
Country/Region of ManufactureUnited States
Title_AuthorMicaela Baranello