Reviews"... Richard Simdars has provided a valuable source whose significance is not only historical, but pedagogic: the descriptions illuminate von Bulow's magnetic musical personality from within, and highlight not only the rigorous precision, but also the spontaneous intimacy of his piano master classes.The detailed instructions, often bar by bar regarding dynamics, agogics and fingerings, form the core of the book..... Zimdars appealing, fluent translation is both interesting and correct and well conveys the beauty of its subject.... the book represents an admirable musicological achievement. It will certainly ensure that von Bulow's master classes contine to stimulate, educate and entertain pianists, muscians and all those interested in the history of musical interpretation into the next century." -- Piano Journal, "This is, indeed, a very important publication for pianists and piano students... very important comments on technical matters as fingerings, etc., as well as interpretative indications are given... Therefore it is so important to go back to the old sources and traditions, to Liszt, to Bulow, and their pupils, trying to understand the contents of musical works and the interpretative possibilities.... This book on the master classes of Hans von Bulow is a very important guide as a great pianistic tradition is conveyed to pianists and students." -- Liszt Saeculum, "... Zimdars also provides a useful introduction, annotations, and six appendixes... the two authors provide a valuable record of a nineteenth-century 'Master' who spoke with total authority from and unquestioning sense that his musical values were a part of a vital, unbroken tradition extending from the time of J.S. Bach.Bulow's concerns embrace every aspect of music-making at the piano, from commonsense advice on fingering and tonal projection, to questions of style and interpretation. Because his responses to the full range of piano literature generally exhibit logic, insight, and good taste, present-day pianists will find much of value in his comments." -- Notes
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Table Of ContentAcknowledgments Introduction Part One: Studien bei Hans von Bulow, by Theodor Pfeiffer Foreword One Bach Two Beethoven Three Mozart Four Mendelssohn Five Chopin Six Raff Seven Liszt Eight Brahms Part Two: Supplement, by Jose Vianna da Motta to Studien bei Hans von Bulow, by Theodor Pfeiffer Foreword Nine May 9, 1887 Ten May 10 Eleven May 12 Twelve May 13 Thirteen May 16 Fourteen May 17 Fifteen May 19 Sixteen May 20 Seventeen May 23 Eighteen May 24 Nineteen May 26 Twenty May 27 Twenty-One May 30 Twenty-Two May 31 Twenty-Three June 2 Twenty-Four June 3 Twenty-Five June 6 Twenty-Six June 7 Appendix Appendix A. Preface and Excerpts from Theodor PfeifferÕs Virtuosen-Studien Appendix B. Excerpt from the Preface to Studies for the Pianoforte, Op. 70, by Ignaz Moscheles Appendix C. Works Edited by Bulow Appendix D. Works Mentioned in the Text That Are Not Edited by Bulow Appendix E. Books Mentioned in the Text That Are Not Readily Available Appendix F. Works Performed without Comment in the Master Classes Bibliography Notes Index Works Played in BulowÕs Master Classes
LC Classification NumberMT220.P5213 1993