Table Of ContentContents List of Illustrations Acknowledgments Note on Texts, Translations, and Abbreviations Introduction Phenomenology, Aristotle, and Classical Greek Drama Theorein and Seeing Theater The "Play of Actuality" beyond Fifth-Century Theater Engaged Spectatorship Genre and Scope 1. Opening Spaces Tragic and Comic Space Seeing the Setting Staged Spectatorship Seeing Theater, Seeing Assembly Atopic Beginnings The Phenomenology of Space in the Classical Greek Theater 2. Seeing What? Is This That? Aeschylus's Theoroi Visual Indeterminacy in Aeschylus's Suppliants Winging with Words in Aristophanes's Birds 3. Pain Between Bodies Dustheatos Blinded Bodies I: Euripides's Cyclops and Hecuba Blinded Bodies II: Sophocles's Oedipus the King Sympathetic Bodies: [Aeschylus's] Prometheus Bound Pleasure in Pain 4. Pots and Plays Actor, Mask, Costume The Basel Chorus Krater The London Pandora Krater The Naples Birds Krater Epilogue Works Cited General Index Index Locorum
SynopsisThis is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron --literally, "the place for seeing." Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form., This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Drawing together evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron --literally, "the place for seeing." Weiss shows how, in doing so, it demands distinctive modes of engagement from its audiences. Examining plays and pots with attention to the instability of and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.