Country/Region of ManufactureUnited States of America
CastingDebra Zane, Ellen Lewis
ComposerAlexi Murdoch
ReviewsHollywood Reporter - [The] production values have a nice, grassroots texture, including Ellen Kuras' cinematography and John Dunn's costume design..., Movieline - Krasinski and Rudolph do their honest best to play it like a shabbier, less symmetrical Wes Anderson. Naturally Mendes gives them just the right, tasteful music cues to really emphasize the sweetness of it all, Film Comment - Krasinski's 'baby stroller blow-up' is acted with genuine anarchic spirit, and Rudolph gets a nice monologue under an orange tree toward the film's end, USA Today - John Krasinski and Maya Rudolph are one of the most appealing and believable screen couples to star in a romantic comedy. Not only do they project chemistry, but they adeptly switch between broad comedy and poignancy, sometimes in the same scene, Washington Post - [The film] feels like a respite from the false happily-ever-afters of most mainstream movies....The appeal of AWAY WE GO is heightened by its two stars..., Box Office - [Rudolph] gives a wonderful turn that is certainly the best work of her career, TV Guide - Few movies deal with feelings this profound with as much restraint as Mendes and his crew display here, Empire - The lead couple are so charismatically written and played that even an uneventful trip on a train becomes high comedy... Krasinski is effortlessly likable as Burt, but Rudolph is a knockout... a charming look at one of today's best directors cheerfully cutting loose, New Yorker - Some of the episodes are ripely satirical, others almost heartbreaking, Chicago Sun-Times - Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love, Rolling Stone - Rudolph, a comic force on [SATURDAY NIGHT LIVE], can speak volumes with the tilt of an eyebrow. She and Krasinski, of THE OFFICE, are absolutely extraordinary. Ditto the film, which sneaks up and floors you, Entertainment Weekly - A gilded entry in the cinema du quirk. It's a movie that invites you, all too often, to feel superior to the people on screen. Yet it's been designed, shot, and edited with unusual finesse, and the two main characters are fresh screen types
ScreenwriterVendela Vida, Dave Eggers
Sound sourceDolby Digital
Director of PhotographyEllen Kuras
Consumer AdviceContains strong sex references and two uses of very strong language