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Memphis by Roy Orbison Lp Record 2015 New Factory Sealed Out Of Print - Picture 1 of 2

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Memphis by Roy Orbison (Record, 2015)

Verica s Vinyl and More! (14622)

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Price:

US $23.94

Approximately£17.52

+ $29.68 postage

Estimated delivery Mon, 7 Jul - Fri, 18 Jul

Returns:

30 days return. Buyer pays for return postage. If you use an eBay delivery label, it will be deducted from your refund amount.

Condition:

New

This is a reissue pressing on vinyl, from 2015. With hype sticker, out of print. New, factory sealed, mint condition record. NM cover, with a corner crease.

About this product

Product Identifiers

Record LabelUME

UPC0602547233011

eBay Product ID (ePID)8046073932

Product Key Features

Release Year2015

FormatRecord

GenreRock

ArtistRoy Orbison

Release TitleMemphis

Dimensions

Item Height12.00 in

Item Weight0.62 lb

Item Length12.00 in

Item Width12.00 in

Additional Product Features

Number of Tracks11

TracksMemphis Tennessee, Why a Woman Cries, Run Baby Run (Back Into My Arms), Take Care of Your Woman, I'm the Man on Susie's Mind, I Can't Stop Loving You, Run the Engines Up High, It Ain't No Big Thing (But It's Growing), I Fought the Law, The Three Bells, Danny Boy

Number of Discs1

NotesLimited vinyl LP pressing of this album by the rock icon. This re-issue is fully remixed and remastered to return the audio to it's original glory. Package includes fully restored original artwork. Memphis was originally released in November of 1972. This is the eleventh album from The MGM Years. Roy Orbison runs the gamut on this album from the hard rocking title track to the classic ballad 'Danny Boy,' and better renditions of each would be hard to find. The only single from this album, 'Memphis,' peaked at #84. Roy Orbison was best known for his trademark sunglasses, distinctive, powerful voice, complex compositions, and dark emotional ballads. His greatest success came with Monument Records between 1960 and 1964, when 22 of his songs placed on the Billboard Top 40. Orbison's vocal instrument bridged the gap between baritone and tenor, and music scholars have suggested that he had a three- or four-octave range. The combination of Orbison's powerful, impassioned voice and complex musical arrangements led many critics to refer to his music as operatic, giving him the sobriquet "the Caruso of Rock".