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Celluloid Jukebox : Popular Music and the Movies since the 50s by Adrian Wootton (1995, Trade Paperback)
Mondo-Punk Occult-Junk Athenaeum (20751)
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Condition:
This UK import is the FIRST EDITION in PAPERBACK as published by BRITISH FILM INSTITUTE PUBLISHING in 1995. Clean and tightly bound with all pages clean, unmarked, and tight to spine.
- Buy it nowCELLULOID JUKEBOX: Popular Music & the Movies Since the 50s- Adrian Wootton*RARE
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About this product
Product Identifiers
PublisherBfi Publishing
ISBN-100851705073
ISBN-139780851705071
eBay Product ID (ePID)837586
Product Key Features
Number of Pages175 Pages
Publication NameCelluloid Jukebox : Popular Music and the Movies since the 50s
LanguageEnglish
SubjectHistory & Criticism, Film / Référence, Film / Direction & Production, Film / History & Criticism, Genres & Styles / Pop Vocal
Publication Year1995
TypeTextbook
AuthorAdrian Wootton
Subject AreaMusic, Performing Arts
FormatTrade Paperback
Dimensions
Item Height1 in
Item Weight16 Oz
Item Length9 in
Item Width8.3 in
Additional Product Features
Intended AudienceCollege Audience
LCCN95-224068
Dewey Edition20
IllustratedYes
Dewey Decimal781.542
SynopsisIn these essays, critics, film-makers and musicians examine the state of pop cinema past, present and future. The book includes interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder and Wim Wenders., Robert de Niro cruising into a Little Italy bar to the sound of the Stones in Mean Streets; Vietnam 'copter blades swirling to The Doors' "The End" in Apocalypse Now; Public Enemy booming out the inner city soundtrack of Spike Lee's Do the Right Thing. From Bill Haley to gangsta rap, through Elvis, the Beatles and blaxploitation, cinema's affair with popular music has provided nearly 50 years' worth of movies and music stored up on celluloid, video, vinyl, and CD, giving us access to a collective jukebox of sounds and visions. In Celluloid Jukebox, leading critics, filmmakers and musicians examine the state of the pop cinema past, present, and future. Biopics, British pop movies, blaxploitation and rap, underground movies, backstage moments, and the records that think they're movies--all come under scrutiny in a wide-ranging and provocative set of essays. Interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder, and Wim Wenders complete this essential study of popular music on film.
LC Classification NumberML2075.C45 1995
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