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A1: Portrait of a Road, Nicholson, Jon, Used; Very Good Book - Picture 1 of 1

A1: Portrait of a Road by Jon Nicholson (Hardcover, 2000)

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The Cotswold Library (780157)

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Condition:

Very Good

Authors: Nicholson, Jon. Binding: Hardcover. Condition: Very Good. Weight: 652 Gms.

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Running the 400-odd miles between London and Edinburgh, the A1 is Britain's backbone. This book is a photographic portrait of life on the road. Jon Nicholson's mission is to find out what makes the people living and travelling along Britain's oldest and longest highway tick. Fuelled by a combination of petrol and all-day breakfasts, his journey takes him through a land of extremes, in both culture and terrain, from the genteel to the gritty and from the rolling to the rugged. The text by acclaimed travel writer Nigel Richardson captures the road spot-on, and is the perfect introduction to Nicholson's pictures: `It has yet to be eulogised in rock'n'roll songs or seminal novels, as has Route 66 in the USA. But, in its piecemeal and self-effacing way, our own A1 tells a unique story about Britain and how we see ourselves. As with a great river, the four-hundred-mile route from London to Edinburgh has its own lore and landscape. The fattest man in English history died on the road: Daniel Lambert weighed nearly fifty-three stones when he pegged out in the Wagon and Horses in Stamford in 1809. And thirty years ago, as I made my way to school, the driver of a speeding Ford Zodiac almost spread me across the broken white lines that marked the road between Doncaster and Bawtry... `That close shave bred in me an initial fear of the A1 that modified into respect, and then fascination, as I grew up... When I saw Jon Nicholson's photographs, I realised we shared a vision of the A1. `Nicholson had already completed a major photographic record of Route 66, that most iconic of highways that, in the words of the song, winds from Chicago to LA, more than two thousand miles all the way. The A1 may be a more modest affair, but the challenge, photographically, was just as stiff. His intention with these pictures was to see the familiar with a fresh eye; to reminisce, while acknowledging the march of progress. '