Film Art: An Introduction by Kristin Thompson, David Bordwell (Paperback, 2006)

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Product Information

Film is an art form with a language and an aesthetic all its own. This title provides an introduction to the fundamentals of film study. Intended for students, it features images and is supported by a text-specific CD-ROM with video clips, an Instructor's Manual, and text-specific website.

Product Identifiers

PublisherMcgraw-Hill Education, McGraw-Hill Higher Education
ISBN-100071101594
ISBN-139780071101592
eBay Product ID (ePID)89546022

Product Key Features

AuthorDavid Bordwell, Kristin Thompson
FormatPaperback
LanguageEnglish
TopicThe Arts
GenreFilm, TV & Radio

Dimensions

Weight1120g
Height274mm
Width215mm

Additional Product Features

Place of PublicationLondon
Spine18mm
Content NoteCol. Ill
Author BiographyDavid Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award. Kristin Thompson is an Honorary Fellow at the University of Wisconsin - Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin - Madison. She has published Eisenstein's Ivan the Terrible (Princeton University Press, 1981), Exporting Entertainment: America's Place in World Film Markets, 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), and Wooster Proposes, Jeeves Disposes; or Le Mot Juste (James H. Heinman, 1992). In her spare time she studies Egyptology. The authors have collaborated on Film History (McGraw-Hill, 1994) with Janet Staiger, on The Classical Hollywood Cinema (Columbia University Press, 1985) and Storytelling in the New Hollywood (Harvard University Press, 1999)
Out-Of-Print Date17/07/2007
Date of Publication01/12/2006
Edition Statement8th Revised Edition
Country of PublicationUnited States

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