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Wisconsin / Warner Bros. Screenplays Ser.: Public Enemy by Tino Balio (1981, Trade Paperback)
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The Public Enemy by Balio, Tino Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less
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About this product
Product Identifiers
PublisherUniversity of Wisconsin Press
ISBN-100299084647
ISBN-139780299084646
eBay Product ID (ePID)94111
Product Key Features
Number of Pages192 Pages
Publication NamePublic Enemy
LanguageEnglish
SubjectScreenplays, Film / History & Criticism
Publication Year1981
TypeTextbook
Subject AreaPerforming Arts
AuthorTino Balio
SeriesWisconsin / Warner Bros. Screenplays Ser.
FormatTrade Paperback
Dimensions
Item Height0.9 in
Item Weight8 Oz
Item Length8.5 in
Item Width5.5 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN80-052292
ReviewsA notable collection of screenplays... All reproduce the film as shot, with extensive data... [and] full production credits. - American Cinematographer
Dewey Edition19
TitleLeadingThe
IllustratedYes
Dewey Decimal791.43/72
SynopsisThe Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that "a woman had been treated like a broad on the screen, instead of like a delicate flower." The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship., The Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that a woman had been treated like a broad on the screen, instead of like a delicate flower. The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship., The Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that "a woman had been treated like a broad on the screen, instead of like a delicate flower." The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship. "
LC Classification NumberPN1997
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