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patrickmmiami

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Location: United StatesMember since: 13 Mar, 2007

All Feedback (192)

mailerninja (160253)- Feedback left by buyer.
More than a year ago
Verified purchase
Good buyer, prompt payment, valued customer, highly recommended.
*pitbullaudio* (273494)- Feedback left by buyer.
More than a year ago
Verified purchase
Good buyer, prompt payment, valued customer, highly recommended.
coolgo2021 (404199)- Feedback left by buyer.
More than a year ago
Verified purchase
Good buyer, prompt payment, valued customer, highly recommended.
brand4412 (158)- Feedback left by buyer.
More than a year ago
Verified purchase
Super fast payment, great buyer. A++++++++
*pitbullaudio* (273494)- Feedback left by buyer.
More than a year ago
Verified purchase
Great communication. A pleasure to do business with.
Reviews (2)
15 Dec, 2012
Overrated, and too many fake.
This particular Item was a fake, buzzing, light weight. Anyway Shure sm58 is a overrated microphone, poor Frequency Response: 50 to 15kHz. cardioid. AKG D5 is for me the new standard. Frequency range - 70Hz to 20kHz supercardioid.
16 Dec, 2012
A Powerful Studio Performer!
The AKG D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix. For the D 5, AKG employed the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance. The D 5's dual shockmount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristine sound of your voice! Frequency range - 70Hz to 20kHz Sensitivity - 2.6 mV/Pa (-52 dBV) Max. SPL - 147/156dB SPL (for 1% / 3% THD) Personally, Sound: For those who are looking for Shure sm58 sound, this is not for you. The AKG D5 sound more open, very similar to condenser microphone. Better high frequency and also more open to sibilance. On stage the supercardioid pattern nicely prevent feedback. in studio i will suggest a pop-filter. Great improvement to any mic lockers. and by experience; hard to get back to sm58 after trying a D5.